top of page

Recent works & Letter of support:

1.Cyst-er Act


Image by Holly Revell

Her material is raw and her relay of it feels vital and clandestine. 


Farcically serious, the work considers very real questions about women's health and how to integrate mainstream science with holistic medicine.  

Total Theatre

Hoffmann's irreverent humour works well as a juxtaposition to the pain, shame and embarrassment that women still are expected to put up with. 

The Stage

A messy, musical ritual - Madame Ovary meets The Devils - probing into reproductive mishaps and monstrosities. 

What is it like to have your fallopian tube hacked off? Or to give birth to a 10lb cyst baby? The realm of the womb can be complex and bloody awesome…

Cyst-er Act is a new work written about Cath’s personal experience of having an ovary removed due to a large cyst that took over her entire stomach, and the discoveries of other women's womb difficulties. It uncovers lost knowledge about women's bodies and how these interior things occur through ovary blues, punk, death metal and some gospel numbers thrown in.

Joined on stage by her 'Poly-Cysters', Sarahjane Grimshaw and Amanda Radix, expect songs, slime, speculums and stripteasing nuns – Welcome to the wonders of the womb.

Originally shown at Ovalhouse and the Southbank centre. Supported by Arts Council England, Metal and Ovalhouse.

Creative team

Concept, writing and performance Catherine Hoffmann       

Performers Sarah Jane Grimshaw and Amanda Radix

Direction and dramaturgy of initial R+D phase Jan Van den Bosch       Witch doctor Tom Marshman

Choreographic assistance Florence Peake

Outside eyes Louise Mothersole, Madeleine Hodge      

Lighting Designer Marty Langthorne

Costume Designer of habits and wimples Jack Goode

Producer Laura Sweeney

Engagement Producer Siobhan McGrath

Photography Holly Revell and Manuel Vason


Feb 2020
13-25th August 2019
Edinburgh Fringe Fest


Wednesday 17th April 2019

Colchester Arts Centre

Wednesday 10th April 2019

Norwich Arts Centre

Wednesday 3rd April 2019

Artsadmin London

Saturday 16th March 2019

POW! Festival

Turner Contemporary Margate

Sunday 10th March 2019

Quarterhouse Folkestone

Thursday 9th Sep 2018

The Space in Between, Unlimited festival

Southbank centre

7-9th June 2018

Ovalhouse Theatre

Jan 28, 29 2022

Gender Medicine festival

Kampnagel, Hamburg

2. Women Working Class

Lead artist and organisational support for the resource website Women Working Class


Desperate to connect with other Working Class Artists in a room, Fox Irving came up with the idea of a ‘working class working group’. Meeting with artists Kelly Green and Catherine Hoffmann, conversations identified that there wasn’t really a space for working class women artists or producers to come together.

The idea is not for a group to come together to talk about class, but to imagine/practice ways for art spaces to better serve class diverse artists doing ground breaking, system changing work; discuss how issues of class influence what we make; and explore what our relationships are to just being and surviving in the art world and how it can liberate us to do the radical.

The Live Art Development Agency offered their resource room for women working class gatherings to meet and Fox applied for a project grant from the Arts Council –  In December 2019, an open call was put out for the founding members of the group. It was at our first gathering of the Women Working Class Group that we started to create resources for working class artists and producers originally meant as a zine but due to the pandemic it moved online. Could we adapt it to survive the pandemic and the crisis within the arts? The founding group is now coming out the other side of the pandemic and have been busy making resources, provocations, podcasts and art for :

Supported by Arts council England, Heart of Glass and Live Art development Agency

Screen Shot 2022-12-08 at 13.42_edited.j

3.Free lunch with the StenchWench

shit job.jpg

‘A cross between performance art, stand-up, a gig and a call to arms.

A humorous and truly compelling performance.’

Desperate Optimists

‘Catherine Hoffmann's StenchWench is a labour of love and hits a home run for the proletariat! If you like your shows raw, real and dipping with beauty, go see this one. It will not disappoint.’

Stacy Makishi

‘At once funny, touching and full of sadness, StenchWench focuses on a harsh hidden upbringing in the UK, marked out by class and abject poverty. Cath takes us on a journey through some very personal experiences in her childhood struggle for survival and the lengths society makes us go to appear ‘normal’.’

Gill Lloyd, Co-Director Artsadmin

A  solo show exploring the personal and shared experiences of growing up as one of the ‘feral underclass’ in relation to today’s ‘Austerity Britain’. Fleas, cheap clothes, thrifty bread, cold baths, and debauched disadvantaged dancing will be unleashed as I chart the drive for survival and fitting in.

Stories and songs about how to get by will be shared whilst I attempt to overcome the shame of bareness and celebrate our spirit of community and hope.

A one woman flea circus doled up with faded glory, austerity pants, mouldy scones and hot chocolate.

Supported by The Arts council England, The Bike shed, Kingsley hall

A development following on from showings at Domestic Festival, Salford, presented by Word of Warning and The Guinness Partnership.

Toured UK Theatres and art centres throughout 2017/18 including:

Toynbee studios, Artsadmin

Beyond Bloodlines festival at The Cockpit

MAC, Birmingham

'Common' festival at CPT,

Norwich arts centre,

Colchester arts centre

Buzzcut, Glasgow

Stephen Lawrence gallery, Greenwich

Live Art Bistro, Leeds

Wardrobe Theatre, Bristol




Creative Team

Written and performed by Catherine Hoffmann                

Producer: Laura Sweeney

Lighting Designer: Marty Langthorne                                  

Press and PR: Anna Goodman, Abstrakt PR
Production:  Malachy Orozco

Outside eyes: Florence Peake, Dickie Beau, Katy Baird

Photography: Lesley Ewen, Richard Davenport

Filmed by Tim Newton

4. Whatever Happened to The Glory Days?


As part of Love Letters to a (post) Europe event and book 2018

Toynbee studios, London,

Edge Hill Arts centre, Ormskirk,

Performance Space, Folkestone

GISWIL Performance Art festival , Switzerland, 2019

Making an Exit festival, Chisenhale, London, 2019

Bios, Athens,  October 2016

Book published by LADA and Unbound.

With texts from Whatever happened to the Glory days:

A curated event of short works performed in the context of a rapidly changing Europe.


Other Participating artists:

Friday 2 October
Kate Adams (UK), Demosthenes Agrafiotis (GR), Brian Catling & David Tolley (UK), Tim Etchells (UK), Alec Finlay (UK) performance: Haris Attonis, Wendy Houstoun (UK), Brian Lobel (USA/UK), Georgios Makkas (GR), Kira O’Reilly (IR/UK) performance: Vassiliki Dimou, Erica Scourti (UK/GR), Maria Sideri (GR), Jungmin Song (KR), Yoko Tawada (JP/DE)

Saturday 3 October
cris cheek (UK), Robin Deacon (UK/USA), Matthew Goulish (USA) performance: Evdokia Delipetrou, Guy Harries (UK), Steven C Harvey (UK), Georgios Makkas (GR), Mikhail Karikis (GR/UK), Claire MacDonald (UK), performance: Evangeli Fili, Ivana Müller (HR/FR), Mariela Nestora (GR) and group, Florence Peake (UK), Anna Sherbany (UK), Nikki Tomlinson (UK)

Levelled at this crisis of social imagination, economic dogmatism and neoliberal tyranny is imagination, empathy, sensuality, presence, being together, singular witnessing, living manifestos, stories, acts of friendship, fellowship, solidarity, refusals of order, nonsense, gifting, calls from and to the wilderness, rants, tough love, seductions, messages in brokenness, adoration, utopias and post-utopias, songs from the margins, addressing the now.

Concept and curation: Lisa Alexander
Production: Lisa Alexander & BIOS

Letter of support

Screen Shot 2022-12-08 at 19.36.22.png
bottom of page